Preserve the Medicine Wheel

The community at Xicoco has built this Medicine Wheel, a sacred circle open to all people for prayer and healing. We are now about to lose the land where it is built. The landlord is selling the property, and in a matter of a month, they will come in and tear this beautiful and sacred wheel apart to sell it. We have the opportunity to purchase this land, but we need your help securing the funds to open escrow.

We need your help to be able to preserve the Medicine Wheel, to continue offering it for the benefit of all beings everywhere, to continue with our sacred sweat lodge, our classes, our art, and our teachings.

The Medicine Wheel is a living artifact that is helping many find their inner guide, heal, transform their lives, and bring insight and peace to our world.

With your support, we will be able to set up a non-profit organization to preserve the medicine wheel, to continue with our sacred practices, and to promote the Teachings of Koyote the Blind.

These funds will allow us to obtain a loan to buy the land where the Medicine Wheel is.  Please help us preserve the land and continue offering the teachings, the sacred arts, and our lives for the benefit of all beings everywhere.

Click here to Preserve the Medicine Wheel

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I, The Flame

In the vastness of time I stand in this brief moment between a dream and a dream with no name, no face, no past and no future; alone and naked, giving the light of not-being to the false dreams of prophecy and the path; breathing hope to the hopeless hearts; narrating the stories of the void; burning my light over and over until nothing remains of me.

Viento de Octubre’s reviews The Golden Flower

“When we first started working on editing The Golden Flower, we had no idea it would morph into the artifact it turned out to be. This book is a tool of practical application resulting in direct engagement with the self. But this book is also a doorway into another dimension. And this book also carries an amount of presence, its own sentient emanation. This phenomenon has to do with the practice and reality presented in his book.

In a very practical level, The Golden Flower is a user-friendly guide to the other dimensions, with an emphasis on ascension, evolution, and mastery of self. It is full of practical exercises and experiments, all of which allow one to begin a personal exploration of the Dreaming immediately. Theory is bathed in masterful prose. The words alone, without doing the exercises, lead one to heightened states of awareness—but just slightly so, enough that it can become tangible—and in this state, one is able to clearly perceive the presence of the Other Self, the Dream Self. The exercises will then lead us to a better understanding of ourselves by exploring the Dreaming and the worlds beyond with the aid of these other parts of ourselves.

This book was first forged in the Dreaming. Every chapter Koyote sent to us for editing turned out to be blue prints. Every word uttered aloud while writing it, while revising it, became a cell of purpose, an imprint, a condition, a direction, an instance of life, and its very breath. The Golden Flower isn’t just a bunch of pages bound together to contain an idea. It is also a vertical construct, like a tower, a ladder, or an unfolding spiral—as it appears in the Dreaming. The book itself, under the correct conditions, both external and internal, will open a doorway into a construction of Koyote’s own devise existing in the astral, running through the etheric and, now, down to the physical. The Golden Flower is Koyote’s doorway into this place, and it is the manifestation of it in its entirety in the physical world. It is here that the training begins, and one enters it almost immediately and without notice.

Gently and securely, one is guided into the first instances of awakening into the Dreaming and towards the recognition of the Other Self. Before long, one becomes aware of just how to proceed into one’s own path of discovery and ascension.

The Golden Flower is an artifact. Its emanation is evident in people’s stories about how powerful it feels to hold the book in their hands; about how it seems to be magically charged; about how it feels as if it has a presence of its own, a consciousness. It has all of these things, which is why many copies have instinctively and inspiredly ended up with a spot on many an altar in many homes. It has a purpose and it carries a charge, both in the electrical sense and in that it has a responsibility and a task. If you allow it (and it is easy to do so—you’ll know what I mean once you start reading it), The Golden Flower will open up for you, and you will immerse yourself in the Yoga of Dreaming, which is the unfolding of your own Self.”

View The Golden Flower on Amazon

First and Last in the Medicine Wheel

The first and last of the Major Arcana unify in the accomplishment of the Magnus Opus. The Fool and the World, the Aleph and the Tau, come together in the Medicine Wheel, just as the Aleph and the waters of Binah came together in the beginning.

Tau is the cross, the finite that intersects the levels. Aleph is the origin of all. The silence of the Aleph and the silence of Saturn are here united, just like the centripetal and centrifugal forces, though opposites, become one in the balance of the firmament.

The Emperor’s Clothes

The Emperor’s clothes is the phenomenal world, the tonal itself. It is nature as it appears to us. Everything that we perceive is the clothes of the Emperor. Phenomena are the Emperor’s clothes, and behind this phenomena, which is an illusion, is the naked body of the Emperor. That nakedness of the Emperor, which exists beyond this veil of illusion, is only visible to the Fool. The Fool sees the nakedness of the Emperor. The unclothed Emperor is the naked brilliance of the empty mind.

The invisibility of the FOG

There’s a story about the arrival of Spanish ships to the New World. What the Indians saw first in the island of San Salvador was the small canoe you drop from the ship to get to shore. Because there is no port, they settle in the shore and send small rowboats. They were amazed by the workmanship of the row boat; the way that it was constructed was so strange, and the technology unknown to the natives. While commenting on the strangeness of that boat they overlooked the huge caravelle in the background. There was nothing in their worldview to point to that. This is a phenomenon often encountered in shamanic voyaging, where the thing that is huge and in your face you don’t see, because you’re looking at what is known. This is the Face Of God (FOG), which is right here on your face; always touching you. And you don’t see God because you see the illusion of the world. You create the idea of God as something remote. So you don’t see God, because God takes the shape of whatever is in front of you. Or that beast which is the Dreaming. You only see the dream, not the beast which is the Dreaming.

A work question

Philosophy in its true form is to utilize language the same way a mathematician utilizes numerical formulas. A mathematical problem contains its own solution. And in that same manner a philosophical question contains its own answer. To engage in a true philosophical question is to extract from it its own resolution, its own death. For in engaging with the question there is the death of the question. And in that sense philosophy becomes magick.

Seek the center of your Self

Ultimately, there is beyond the center of centers, there, at the origin of your attention, beyond the sense of self, the origin of all you are. This is the God that creates the world that you perceive. This is the God that sustains the life of the one that says ”I Am”. This god within has been considered the greatest of heresies of all the religions that have made a world of worship, the have created a culture that sees them, and only them, as the true intermediaries between you and god. Their success, strength and wealth has depended on you believing that you are not god; that you are only a limited ego that is a suffering fool whose only possibility of happiness depends on the graces of an external, remote god, and whose only intermediary is the church.

In this unholy trinity, a tyranny of a remote father and a tyrannical mother, are placed the only source of redemption for a child that never grows. But the truth is that the Holy Father is you, not your ego, not your identity, not even your memories, but you—the one behind the curtains of perception. You are the true God, and this vessel of flesh and mind that contains the history of humanity, that contains all knowledge and experiences, that contains the good and the bad, that contains all the teachings, and all the words of all the masters is the true church.

The marriage between God and the church produces, outside of you, the kingdom of heaven—always new, always created, always reflecting the will of god. In this Kingdom outside, the world created anew, is a true reflection of the inner marriage between the true God and the true church. This union is the true wine of ecstasy that brings the satiation of our deepest aspirations. Those who would keep humanity enslaved will tell you that it is a great heresy to believe in this God within. And I tell you that you have nothing to believe. No belief is necessary. You have to approach this as a true scientist, a true explorer of the inner spaces, and seek for yourself the knowledge of your true essence, of that which is silence and infinite, of that which is true beyond all forms, beyond all time—the center of yourself.

Seek within your heart, not the emotional or physical heart, but the center of yourself. There, you will find it. Silent. Vastly infinitesimal. All knower. Creator. Maintainer. Destroyer of all worlds. Look for the god within. Commit the ultimate heresy, and make contact with your true self.

The naked rebellion of the Great Work

This great work is an ultimate act of rebellion where you dare to stand alone, to disrobe yourself of all your programs and all your identities, and to face the empty void only as a silent presence. Then you can look at everything again, from this perspective, and pick and choose your experiences, your hypothesis, your assumptions. Pick them consciously, and they’ll go from being unconscious assumptions to being tools for you to use; as a carpenter uses and chooses a hammer, a saw, a nail.