“When we first started working on editing The Golden Flower, we had no idea it would morph into the artifact it turned out to be. This book is a tool of practical application resulting in direct engagement with the self. But this book is also a doorway into another dimension. And this book also carries an amount of presence, its own sentient emanation. This phenomenon has to do with the practice and reality presented in his book.
In a very practical level, The Golden Flower is a user-friendly guide to the other dimensions, with an emphasis on ascension, evolution, and mastery of self. It is full of practical exercises and experiments, all of which allow one to begin a personal exploration of the Dreaming immediately. Theory is bathed in masterful prose. The words alone, without doing the exercises, lead one to heightened states of awareness—but just slightly so, enough that it can become tangible—and in this state, one is able to clearly perceive the presence of the Other Self, the Dream Self. The exercises will then lead us to a better understanding of ourselves by exploring the Dreaming and the worlds beyond with the aid of these other parts of ourselves.
This book was first forged in the Dreaming. Every chapter Koyote sent to us for editing turned out to be blue prints. Every word uttered aloud while writing it, while revising it, became a cell of purpose, an imprint, a condition, a direction, an instance of life, and its very breath. The Golden Flower isn’t just a bunch of pages bound together to contain an idea. It is also a vertical construct, like a tower, a ladder, or an unfolding spiral—as it appears in the Dreaming. The book itself, under the correct conditions, both external and internal, will open a doorway into a construction of Koyote’s own devise existing in the astral, running through the etheric and, now, down to the physical. The Golden Flower is Koyote’s doorway into this place, and it is the manifestation of it in its entirety in the physical world. It is here that the training begins, and one enters it almost immediately and without notice.
Gently and securely, one is guided into the first instances of awakening into the Dreaming and towards the recognition of the Other Self. Before long, one becomes aware of just how to proceed into one’s own path of discovery and ascension.
The Golden Flower is an artifact. Its emanation is evident in people’s stories about how powerful it feels to hold the book in their hands; about how it seems to be magically charged; about how it feels as if it has a presence of its own, a consciousness. It has all of these things, which is why many copies have instinctively and inspiredly ended up with a spot on many an altar in many homes. It has a purpose and it carries a charge, both in the electrical sense and in that it has a responsibility and a task. If you allow it (and it is easy to do so—you’ll know what I mean once you start reading it), The Golden Flower will open up for you, and you will immerse yourself in the Yoga of Dreaming, which is the unfolding of your own Self.”
2 thoughts on “Viento de Octubre’s reviews The Golden Flower”
Powerful, eloquent words…
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Reblogged this on Writings by Viento de Octubre and commented:
Here’s my review of Koyote the Blinds book, The Golden Flower.