Spiritual Technologies (a new series of books offered in Amazon)

Tantra, Nahualismo, and Magick are all systems of liberation and attainment, used for the awakening of the individual and for the evolution of humanity.

Each system has developed many technologies designed to change and fine-tune the human nervous system, psychic bodies, and soul in order to be able to remember our divine origin, to host the supreme consciousness, and to have the power and ability to transform this world into the manifested body of the supreme consciousness.

I am going to release a series of books, each one presenting and examining a specific spiritual technology from one of my three lineages: Tantra, Nahualismo, and Magick. Some of these technologies have been created by me, and others have been passed down from teacher to student by my lineage.

With each book, you will learn a single technique useful your own spiritual path. They are meant to be useful to you regardless of your path or background. They are meant for all the people, and not restricted to any religion, lineage, culture, or race. Also, each book of the spiritual technologies series will be ready to be used, and does not presuppose that you have any kind of previous knowledge or ability. Each one is useful on its own, and it can be practiced without having to get other books.

Other books I have published, and some yet to be released, might deal with more complete systems of attainment or deal with complex topics. The Spiritual Technologies series, however, is meant for books dedicated to a single technique or artifact.

The first book on the Spiritual Technologies series will be released on July 2nd of 2019. The first book is:

Dreaming’s Gate

I trained with a Yaqui-Lacandon Nahual, Teczaqui Güitame Kachora, in the 1990’s. He provided me with a geometric symbol used in our lineage to train the dreamer to move between the worlds, to master the Dreaming, and to gain access to the higher dimensions of existence. I am providing this sacred gift to you, so that you may also gain mastery of your perception and attain the freedom to move about this universe as you will.

You can download and print a free copy of the Dreaming’s Gate image itself on my website: https://www.koyotetheblind.com/dreamingsgate.

This tool will train different parts of your psyche, your attention, and your dream-self. The first part of the training consists of training the attention to switch from the outer to the inner and to keep it where you want it to stay.

The book will contain a copy of the image given to me by Kachora, and it has clear and easy to follow instructions for working with it. In addition, I will include other instructions you can use to develop your second attention, trigger lucid dreaming, and train your psychic body to become aware of the invisible world around you.

Finally, half of the profits from this book will be donated to Kachora and the Kumiai community that hosts his sacred dance in Tecate, Mexico.

The other half of the profits will be donated towards the maintenance of the Medicine Wheel.

You can preorder the kindle version of Dreaming’s Gate here: https://www.amazon.com/dp/B07TBBS5SW/

You can also obtain a physical, signed copy of this book for $20 + $3 S/H (+$15 for international orders).

Click here to preorder the Kindle version of Dreaming’s Gate: $5.99

Click here to preorder a signed paperback version: $20 + $3 S/H

Click here to preorder a signed book from outside the USA: $20 + $15 S/H

NOTE: if you have signed up for my mail list, you already have an electronic version of this book. The Kindle and paperback version will have more exercises used in my Dream Intensives and other workshops. It will continue to be available for free for my email subscribers.

The Unmovable Voyager Holding an Ankh

I had a dream when I was a child. I was lost in the desert. I came upon an oasis with a single tree. Two people were there. One was sitting on a rock. Next to the rock was the tree with a man hanging on a branch, with one leg crossed over the knee of the other—like Odin, the Hanged Man of the Tarot.

The man on the rock told me he was Master Jesus. Master Jesus pointed to the hanged man and said, “This is Master Socrates.”

I was there in the oasis in the middle of the Dreamlands, and two Masters, of two different lineages, were before me. Master Jesus said, “Stay here.” I felt happy about this. But then the Hanged Man, Master Socrates, came down and with a fierce and wild look in his eye said, “Go away!” I was torn. Both were Masters giving contradictory commands.

I asked, “Which one should I follow?” With a sly grin, Master Socrates approached me and said, “You must obey both.”

And I did! And I became, at that moment, one with cosmic consciousness—having, for a moment, realized the unity of the fundamental nature of my innermost self, whose essential quality is always to go, to voyage, to move, and to dream—with the fundamental nature of the consciousness of he who sleeps and is never anywhere, never changing, never born, never dead, never existing and never moving. The unity brought an understanding, for a moment, of that which had been hidden to my human consciousness.

Excerpt from The Teachings of a Toltec Survivor

I’d Gone to Another Place Again

I was very young. I must have been about seven years of age or five. I can’t remember right now. I had gone to the zoo with some aunts and cousins. After the zoo, we were going to the bus—this was in El Salvador. I was following my sister and cousin. Both were six years older than me. They were walking in front of me. I noticed they had begun to walk in a different way, to swing their hips more. I thought they were doing that because boys like it. I thought it was part of the human game. See, I didn’t realize then that I kept looking at the adults as someone would look at animals in the zoo: “These are their mating habits. These are the things they do when they lie. These are the things they do when they want to be liked.” Then, the girls turned a corner, and I followed them. On the sidewalk, there were two tables used by street vendors to offer such goodies as sweet breads and drinks. They were still setting up. My sister and cousin walked between the two tables, and I followed. I pulled myself up with my hands on the tables, and I swung myself playfully, and I came down. And when I came down, the people were not there. The street seemed the same, but no one was at the tables, and there was no food on them. All was quiet. There was an absence of smell, and everything had a buzz to it. And I turned around. There were very few people, and I ran to the corner to catch up with my cousins and aunt, but they were not there. There were some very old cars, not the type I used to see. And then I returned to the tables and I tried to do the same thing again; and, no, I was stuck there.

Something in me thought, I’m lost. I’ve gone to another place again. I looked at the street, and it went on and on for a while, and I said to myself, this is the way back home; if I walk down this path, I will get home, if don’t deviate from it.

I started walking on that strange street. Then, I saw a police officer; and when you are in those spaces in that world, uniformed personnel give you directions. He was standing in the middle of the street, but it didn’t seem odd. “Excuse me. I’m lost,” I told him.

He said, “You are not lost; if you were lost, you would be panicking and crying.”

“Well, I’m lost because I don’t know how to get back home.”

“Where is home?” he asked.

I said, “I live with the humans in Colonia Zacamil.”

So he smiled and said, “Come with me.” He took me to a bus; the door of the bus was opened. This bus was like in England, on the wrong side of the street, but I still entered through the right side from the street. He said to the driver, “This boy needs to get back home to the humans. Can you tell him when he’s there?”

He said, “Sure.” He didn’t ask where. He just drove. The scenery began to change. Slowly there was more dirt, sun, and more noise. The smells came back.

He asked, “You know how to get home from here?,” stoping the bus in front of the bus stop down the path to my house.

I said, “Yes, I do,” and I did. That was the first time I got lost, and then I started to get lost very often. I shifted the assemblage point by mistake at first.

When I got home, I told my mom what happened, and then I hid when my aunt showed up. My aunt was pale. She was worried. She reported we were all together, we were crossing the street, and then everyone crossed the street and I was not on the other side. She looked everywhere and couldn’t find me. Eventually she went home and told my mom. As she was telling my mom and my mom was calmly telling her, “Well, I don’t know, but you’re going to have to go back and find him,” and my aunt realized by my mother’s calm and dismissive demeanor that I was actually there and not lost, I sprung from behind the couch and pounced at her happily, hearing the bells of her happy laugh and cuddled in the warmth of her embrace under the all touching love of my mother’s smile.

The Golden Flower, pt 3: enlightened analysis by Paul Rovelli

This is a deep and accurate presentation of the import of part 3 of my book, The Golden Flower. Enjoy!

Part Three of The Golden Flower is titled: “And in the Philosopher’s Garden Lives the Scent of the Golden Flower.” The first chapter, ‘The Beast’ jumps right at the reader in the opening; especially the Thelemic reader. The Dreaming is turned from a process of consciousness and given a life as an objective being. It becomes the Holy Guardian Angel in the form of a beast that is the dream and the Augoeides. The Beast being the sun in Thelema, the second chapter, ‘Dream is a Dealing with Light’ follows with the Kyote identifying himself as the dream immersed in the light; he (or each of us) is the perceiver and the perception.

His attitude is as one hunting himself, so that in finding oneself, one realizes oneself as mastering the dream. “The only thing beyond the Dreaming itself is the pure, unblemished nothingness–just the silent sound of the eternal.” So that in the third chapter, “The Other Self”, the opening sentence offers the complementary theme: “When you are born, so that your physical body can have a form, a creature of light and shadow is fused to your body–an energy form with its own thoughts, feelings, likes and dislikes. This dual structure of bodies that posits “the other self” as “the dream self” or in Magick, the Augoeides. Waking in the lucid dream is but the first part of the word. The dremaing self must also wake in the physical body. The abstraction of consciousness is the key to the transformational magick of the White School of Magick and its dualist philosophy.

The fourth chapter lives up to its being the namesake of the book. The Kyote literally gives us the LOGOS and feeds us ‘the word’–showing us how IT is consciousness. IT is the Dreaming and the Lotus upon which Brama forever flaots–the Golden Flower. And the chapter fully delivers this to the reader as a sensibility, as the Kyote’s words seem to reach directly into one’s soul. The Golden Flower is ‘literally’ presented; pun intended. The Yellow Rose is but a tone given to the coloration of the Rosy Cross. It can clearly be seen that this chapter is the sumation of the Magick that perfectly draws from both Thelema and the Toltec.

The atmosphere of the fifth chapter: ‘The Going’ shares with us the afterglow from the peak experience of the previous chapter. We realize here that the Golden Flower; the book itself is a talisman, being the Wanga of a most magnificent Obeah. The Kyote’s words as much remind us of the afterglow of an LSD experience; the psychedelic sensibility being preeminant in this chapter. And the sixth chapter: ‘The Three Keys’ closes out this marvelous tome with the Kyote giving us Hadit, Nuit and Ra-Hoor-Khuit in that order; or you might say point, counterpoint and transcendent point.

Hadit is the god that never sleeps; eternally insatiate, and Nuit becomes the girl in the Universe Atu, with her reflection, as if the Kyote’s marvelously reflective images were pulled from Liber 231. And Ra-Hoor-Khuit is this god who “would that, in his eternal wakefulness, he’s always been srrounded by this eternal, unmoving, untouchable abyss behind him. The Kyote’s words make this chapter one long incantation. All that’s left for the reader is but ‘TO DO.’

By Paul Rovelli, director of The Gnostic Church of L.V.X.

Click here to purchase The Golden Flower

A View from the World of the Nahual

If successful, this book will be more than entertainment and much more than a source of information and ideas hard to find elsewhere. You have in your hands more than a collection of theories and entertaining stories. You have an artifact, a container of a very old wisdom that is still alive. If you lend me your attention, I promise you that something of a seed will stir—something imbued in the pages of this tome.

This book will be a transformational factor in your hands. Don’t expect a linear narrative, nor attempts to convey unidimensional perspectives of the world. It is not an academic book full of discussions and references to other writings. It’s not a manual with exercises for you. This book has encounters of power, strange points of view, practical advice, effective techniques, and historical data; but it is more than that.

This book is a view from the world of the Nahual—the Toltec Survivor who shares his being with you as you read. If you place your attention on the narrative, you will know that I am talking to you directly, a heart to heart conversation.

You will know that in reading this narrative, you are altering the world in you and around you, as a dreamer alters a dream when she begins to wake up to her personal power. Lend me your attention for a moment, and I’ll go on a journey to a different place with you. In this place of power, something deep in you will stir awake and stand up in attention.

Get your copy of The Teachings of a Toltec Survivor here.

The Futures that Were.

The future used to be so much better before it got so mangled in recent pasts.

I’ve been shopping around for a better future. I might have to make one myself. I can probably put something together from a couple of futures I used to have that never got used.

Or perhaps I will just drop them all, stop looking in the past for all the futures I might one day want and the ones I might come to fear, leave the future in all its styles way behind and let it vanish into the distant past like my shadow with the coming of the night.

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In this Center of Life

In the solitude of the night I stay, and know that all the words and all the stories are lumps of life and meaning; and in the center I find myself trapped in an island, surrounded by life, all rushing at me at the same time.

In this center of life, I can’t distinguish anything at all. There is no name. There is no God. There is no hell. There is no movement of time and space; just the glorious silence; just the breath rushing in and going out; just her touch; the soft fingers of life holding, moving around, dancing around me.

In pain and joy, her hands play with the silent center. It moves. Sometimes I play with her by moving, talking. The light pulls my arm. The wind moves. The face looks and smiles when she looks back, and in the center of this magnificent womb, what can there be if not the warm embrace, the kiss of her ecstasy? How can there be anything but the loving kiss of the angel of death?

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The Gift of Old Shadow of Bats

These were the times of darkness, before the coming of the sun.

These were the times when the old witch, Shadow of Bats, emerged from the City of Xibalbá. She emerged to see the coming of the dawn.

Shadow of Bats saw the human sacrifices and the slavery of the tribes of men.

She spoke to the tribe of the free humans, the ones who had refused to be enslaved.

“Don’t open your bodies,” she told them. “Do not enslave yourselves, and do not give your hearts to the gods,” she said. “I will give you fire and teach you to use it.”

From the heart of chaos she brought fire, keeping it alive in the abomination of her sensual dance.

Against the slave gods, she danced, and in her act of rebellion old Shadow of Bats imprinted in the free humans the knowledge of fire in their hearts, and the source of fire in their solar plexus.

The human beings awaited, now, the coming of the sun. Some enslaved and afraid of the dark, and a few free in the reveling of the dance of the eternal flame.

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Out of the Dancer Came the Fire

From within the dark abyss came forth the swirling fires of creation.

“Let there be light” was the word heard, reverberating over the entire cosmos; but it was the dancer who captured the divine command, holding the bright light and making it swirl and circle, flame and shine, creating fire and the circles of time.

Fire was born such, as the beauty of creation, the heat of love, and the joy of existence.

The Dancer of Light created in her dance the cosmic circles, called time and pace.

Out of the Voice came the Light.

Out of the Dancer came the Fire.

From fire, the creatures got experience and life.

Yesterday, today, and tomorrow were born in the swirling patterns of the dance; the cosmic cycles of the seasons and the days, the cycles of life, and the measure of things.

To the human being, fire was life. Fire was light. Fire was warmth. Fire was the power over the darkness of night.

 

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Pure Will Is the Splendor of the Sun

Intent is an actionable manifestation of Will. Intent is a reflection or refraction of Will. One Will, a series of intents. It takes a lot to accept your own Will. You have spent a lifetime covering it up, trying to not accomplish it, saying, “Not yet, not yet, not yet.”

Will is not synonymous with desire. Desire belongs to the law of accidents. You come to desire in accordance to the programming that was given to you. Will is more connected with destiny than to the desires of the ego. In fact, when under the light of pure Will, the desires of the ego become nullified, like the light of a tiny candle before the glory of the Sun.

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